An Analytical Perspective on Masahisa Fukase’s “Darkness”
Few of Japan’s great photographers had a career as bold and multifaceted as Masahisa Fukase. Though largely defined by his black and white magnum opus *Ravens* (1986), a book of photographs in which the photographer casts himself as the grim black bird, Fukase managed to express facets of himself through many different proxies. He shot photos of [his wife in […]